Halo’s unique design is much bigger than other portable booths, and wraps around top and bottom to a maximum rear depth of almost 100mm to improve room isolation and absorption without dominating the room sound. Its textured and wave-formed surface also helps diffuse direct sound.
Our market research also revealed that many people have a hard time with getting a good performance when using other reflection filters because they are not very ‘creative-friendly’ environments. The Halo’s form, colour options and size is designed to create a more ‘organic-feeling’ space for the performer to work with.
The combination of radically improved performance in almost every area of currently available technology, while paying special attention to both the green credentials of our manufacturing and to the creative element that the artist requires in their performance environment to get the best form every take, makes the very best possible solution for portable room acoustics available today.
The Aston Halo Shadow reflection filter is the ultimate in portable acoustic booth technology in all black finish. In a market awash with differing versions of an ageing design concept, the Aston Halo Shadow is a huge leap forward in reflection filter performance, most notably for Isolation, absorption, mounting hardware and the overall performance as a studio tool for achieving portable room control. Our multiple award-winning Halo Shadow is, according to every independent magazine review, the best reflection filter in the world (and it looks fabulous too!)
The Aston Shield GN pop filter has been engineered to give you a perfect fit on any mic stand in seconds and has one of the best quality goose-necks you’ll ever see… no more limp or hanging pop shields, no more fiddly thumb screws…
The Aston Shield has a big, sturdy, crocodile clip to mount quickly and easily onto mic stands of any shape or size, and has an exceptionally well-engineered goose-neck support with a matte-black rubberised finish, which stays exactly where you put it. You’ll LOVE using this product.
SwiftShield combines the Aston Swift shock mount and the Aston Shield pop filter into one bundle, to give you the perfect set up for your studio vocal mic. The Aston Swift shock mount takes microphone mounting to the next level of ease. With 2 quick release spring clips designed to fit a wide range of mics, from 40-60mm diameter, mounting your microphone takes seconds.
The Pop from Blue Microphones is a universal windscreen for use with any microphone. At Sweetwater, we’ve found that it’s easy to clamp The Pop to your mic stand and position it. The sturdy wire mesh and frame ensure years of durability.
The sE Electronics Studio Studio Mic Pop Screen is a perfect example of all of the advantages a metal pop filter gives you over a standard cloth mesh model. Made from finely perforated metal, each groove in the Studio Mic Pop Screen is louvered to redirect ultra-low-frequency breaths, virtually eliminating the threat of plosive pops. But that’s not all. At the same time, the sE Studio Mic Pop Screen doesn’t affect high-frequencies the way cloth pop filters do, never dulling your sound. And since its made of metal, you can rest assured that your sE Studio Mic Pop Screen will last for the long haul.