Meet the DJM-S9, our first two-channel battle mixer for Serato DJ. With a fully configurable Magvel Pro crossfader and customisable FX buttons and pads, you can tailor the mixer to suit your DJing style. The tough DJM-S9 is build to withstand the most energetic scratch performances, and it boasts high-quality audio circuitry inherited from our flagship 4-channel digital mixer, the DJM-2000NXS.
Extended high frequency response and supercardioid pick-up pattern for higher signal output, cuts through high on-stage sound levels. Smooth warm tonal response and full dynamic range, with presence lift for vocal clarity and projection. Consistent on/off axis and proximity response maintain sound quality while moving, providing greater on-stage freedom.Full metal construction and extensive suspension and shock-mounting minimize handling noise and signal interference. High output performance microphone, offering power, clarity and projection (also available with a switch: e 845-S).
The redesigned Classic Design Series CD-60S Dreadnought Acoustic Guitar boasts upgraded features at an attractive price, including a solid spruce top, rolled fingerboard edges and a new ‘Easy-to-Play’ neck shape. The CD-60S is an entry-level Classic Design model and features mahogany back and sides and a rosewood fingerboard. The dreadnought sized body provides traditional full-bodied tone with plenty of projection. A great choice for any aspiring player, the Classic Design Series CD-60S Dreadnought Acoustic Guitar delivers a bold playing experience.
Based on the favorite ’60s Fender acoustic guitar of Rancid’s Tim Armstrong, Fender’s Tim Armstrong Hellcat 12-string acoustic is a true signature instrument with all the detailed visual appointments that make Tim’s original guitar iconic. Fender keeps the vibe of Armstrong’s time-tested axe but gives it a touch of modern flair and style, captured in the pearl acrylic Hellcat logos on the third, fifth, and seventh frets and double-skulls at the 12th fret. Thanks to its solid-mahogany top and mahogany back and sides, the Tim Armstrong Hellcat 12-string sounds fantastic unplugged — great for jams in the backyard or on the beach. And when you’re ready to plug in, you’ll find an onboard Fishman Tim Armstrong preamplifier with a built-in tuner, kicking out solid amplified acoustic tone.
Fender pays tribute to the Chicago-based punk group Alkaline Trio with the Fender Alkaline Trio Malibu. This ’60s-inspired folk-style acoustic features laminated mahogany back, sides, and top. This acoustic features a C-shaped maple Stratocaster neck that’s topped with a walnut fretboard. The custom heart-shaped soundhole design comes from the cover design of Alkaline Trio’s acoustic album. The classic Fender headstock gives this acoustic guitar a contemporary look, and its comfy C-shaped neck makes playing it a joy. You get that classic California vibe when you play a Fender Alkaline Trio Malibu!
The redesigned Fender CD-140SCE dreadnought guitar brings you the warm, balanced tone of a rosewood body combined with premium features not always found on instruments of its class: a solid spruce top, rolled fingerboard edges, and a new easy-to-play neck shape. The upgraded Fishman Presys preamp has volume control, a built-in tuner, a 3-band EQ, and a polarity inversion control (phase button). With its single cutaway, rosewood fingerboard and headcap, and Graph Tech nut and bridge saddle, the CD-140SCE is both a capable instrument and a great value.
The CD-60 dreadnought boasts features you’d expect on much more expensive instruments, with a spruce top and choice of natural, sunburst and black finishes. Upgrades include a new black pickguard and mother-of-pearl acrylic rosette design, new compensated bridge design, white bridge pins with black dots and smaller (3 mm) dot fingerboard inlays. Features include scalloped X bracing, black body binding, 20-fret fingerboard, dual-action truss rod and die-cast tuners.
Featuring a finely-tuned quad-core processor and powered by exclusive Eleven® HD Expanded™ DSP software, the HeadRush Gigboard® delivers the most versatile, realistic-sounding and responsive amplifier, cabinet, microphone and FX models ever found in a compact, road-ready floorboard guitar FX processor. The 7-inch touch display enables you to touch, swipe and drag-and-drop to instantly create and edit your rigs in an unprecedentedly realistic and intuitive way.
Plus, it features gapless preset changes with reverb and delay tail spillover, a built-in looper with 20 minutes of record time, the ability to load custom impulse response files and exclusive original boutique effects that can’t be found anywhere else. Whether you’re looking for a classic warm vintage amp with natural tube drive, wide ambient stereo delay textures with infinite feedback or the heaviest of heavy djent tone, the HeadRush Gigboard covers it all and everything between.
The minds that brought you the incredibly powerful and popular Eleven Rack rack-based multi-effects and modeling processor have returned with the HeadRush Pedalboard. The unit’s custom-designed quad-core DSP means your tones will sound and feel like plugging directly into the original gear. And integrating the HeadRush into your existing rig, whether for recording or performing, is simple thanks to a wide variety of I/O. Finally, the HeadRush’s 7-inch touchscreen interface is setting a new standard for easy to use. With true-sounding tones, flexible signal routing, and one of the most intuitive workflows out there, the HeadRush Pedalboard is definitely worthy of your attention.
2-deck DJ controller
2 jog wheels with pressure detection
Velocity sensitive pads
Air control: 1 contactless control
Pressure-detecting jog wheels
Scratch by pressing on the jog wheels, as naturally
as with a vinyl record
Jog wheels also control pitch bend and browsing
8 pads with velocity detection
The pads control the sampler, loops and effects
The inner backlight shows the pads’ activation
Pads can be set as binary On/Off controls, or gradual controls
Air control: a contactless sensor lets you control the mix from above, without even touching the device
DJ Control Air converts the distance to your hand into a MIDI command
No need to touch the controller: one command of the mix without any physical contact
Compatible with all light conditions
Built-in audio outputs for mixing and previewing tracks
1/8″ (3.5 mm) stereo mini-jack output for the mix
1/4″ (6.35 mm) stereo jack output for previewing tracks