The Aston Spirit is a high-performance switchable pattern microphone utilising a 1” gold evaporated capsule. A switch on the mic body selects from Omni, Cardioid or Figure-of-Eight polar patterns. It is versatile enough to use with most instruments and excels on acoustic guitar and vocals. Its Aston 33 panel selected capsule is teamed with high-end transformer balanced circuitry using only the best components.
With its lightweight yet feature-rich design, the AT8024 Stereo/Mono Camera-Mount Microphone offers a simple, powerful solution for capturing high-resolution audio for video. Selectable line-cardioid mono and internally matrixed mid-side stereo modes provide the flexibility to focus the recording on a single sound source or to widen the field for outstanding sonic realism. In either mode, the AT8024 delivers audio that is dramatically better than that supplied by the camera’s internal microphone.
The Turret delivers a unique, easy-to-use solution for users who need for a complete high-performance equipment system for streaming and podcasting. The Turret has a full HD webcam with built-in H.264 video compression, a high-quality 48kHz/16-bit USB condenser microphone with pop filter and an LED light ring, daylight-balanced, with both cool and warm filter accessories.
The PRM1 from PreSonus is a precision reference microphone that is designed specifically for use with audio-analysis tools for sound system optimization and room tuning.
The PRM1 utilizes a 1/4″ pre-polarized electret condenser capsule with an omnidirectional polar pattern. This is especially beneficial when tuning your sound system to a particular acoustic space or venue because it allows the microphone to capture reflections as well as direct signals from the sound source. Furthermore, the microphone is designed to achieve a flat frequency response with a relatively narrow dynamic range. These characteristics help lend to accurate readings of test frequencies by your spectral analysis software or devices.
The RØDE NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television, and production industries.Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (161gm/5.7oz without battery) makes it an ideal boom microphone.In addition to the native 20Hz-20kHz frequency response, a selectable high-pass filter at 80Hz is available, which will prevent low-end noise such as air conditioners and traffic from being recorded.The NTG2 operates either from an AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders, and power supplies. The battery power option makes the NTG2 ideal for scenarios where the camera does not supply phantom power such as DSLR video.The WSVM windshield is supplied to minimize light wind noise and plosives during recording. The optional ‘DeadCat’ furry is recommended for outdoor applications.
A revised take on a time-tested shotgun mic from Rode, the NTG4 offers you premium broadcast-ready sound and the versatility you need to use it on and off camera. One of the things about this highly directional condenser microphone that really stood out to the engineers here at Sweetwater is how quiet it is. Part of that has to do with the persistent-state digital switching used to toggle the NTG4’s onboard highpass filter, -10dB pad, and high-frequency boost. And with its rugged metal design, your Rode NT4 will be ready to go anywhere you need to go.
Based on RØDE’s award winning NTG3 shotgun microphone, the NTG8 is a broadcast quality RF-bias shotgun microphone that exhibits increased directionality across a wide frequency response range. This makes the NTG8 the perfect microphone for film, television, sports and outdoor broadcasting, live performance, and any professional distance miking application. Like the NTG3, the NTG8 features low self-noise, natural sound without coloration both on and off-axis, and RF bias technology to ensure that it is almost completely resistant to high humidity environments which could cause other condenser microphones to fail. The NTG8 is finished in matte black and supplied with a specially designed shock mount (SM8) that is engineered to provide excellent handling noise isolation, cable management and versatile mounting options for the microphone. A rugged weatherproof aluminum cylinder is also included, providing ultimate protection for the microphone when in transport or storage. The WSNTG8 windshield completes the package, providing light environmental protection.
Compact and light weight by design, the VideoMic GO delivers clear, crisp, directional audio with incredible ease of use. Its tight pickup area focuses directly in front of the microphone and reduces other surrounding sounds, ensuring that your subject is isolated from distracting background noise.
The integrated Rycote® Lyre® shock mount isolates your microphone from bumps and vibrations that could otherwise interfere with your sound.
Constructed from a single piece of hard-wearing thermoplastic, the Lyre® provides superior acoustic suspension to traditional elastic solutions, and will never wear out, sag or snap.
The VideoMic GO has no complicated switches or settings and is powered by your camera’s external microphone input, requiring no batteries to operate, ensuring you never miss a great shot.
The VideoMic GO is designed and made in Australia.
Shure’s SM27 brings the rugged reliability of the SM series to the world of large-diaphragm condensers. This side-address cardioid condenser is delicate enough to effectively capture vocals, but rugged enough to easily handle more raucous sources, such as bass and guitar cabinets. Tailor the SM27’s frequency response to the sound source with the built-in 15dB pad and 3-position low-frequency filter. The large Mylar diaphragm reacts quickly to transients and three separate mesh layers reduce wind and breath noise, making the SM27 a great fit onstage or in the studio.