The Yeti Pro Studio All-In-One Pro Studio Vocal System from Blue features a Blue Yeti Pro USB and XLR microphone, PreSonus multi-track recording software, and iZotope vocal processing software. It is an easy-to-use professional studio system for recording vocals, music, instruments, and more.
Vocal Studio brings world-class audio to all your computer recording projects. Lay down vocals on your latest tune. Narrate your next podcast. Add a voice-over to your multimedia production. Vocal Studio does it all. The unique combination of high-performance hardware and easy-to-use software makes it possible. Simply plug the Producer USB microphone into your computer, fire up the Ignite music software, and you’re ready to record. The microphone delivers exceptional clarity, and provides a convenient headphone jack for low-latency monitoring. Totally intuitive, Ignite offers the fastest path for capturing your ideas and creating compelling audio tracks. Ignite provides a refreshingly original and musician-centric way to quickly capture, combine, and arrange your musical ideas. The intuitive graphic interface encourages you to experiment and explore new directions. Smart MIDI Chord and Phrase Players empower your ideas and bring them to life through over 275 superior instruments sounds created by AIR Music Technology.
Marantz Professional is proud to present the MPM-1000 Studio Series microphone, a high-quality condenser mic that delivers studio-grade audio performance along with unexcelled value. The MPM-1000 Studio Series microphone exemplifies Marantz Professional’s commitment to users who demand no-compromise components that fit within a realistic budget.
The MPM-3500R is a high-quality ribbon microphone that faithfully captures every sound from the subtle nuances of stringed instruments to rock vocals and percussion. Superbly designed and crafted with high-grade components, the result is a durable microphone with high sensitivity, low noise and wide dynamic range. Its dipole (figure-eight) pickup pattern enables it to be placed between instruments and capture both equally.
The MPM-3500R’s low-mass ribbon pick-up diaphragm is specially designed to resolve the extremely subtle details often missed by conventional microphones, yet it remains warm-sounding and natural—never harsh or strident—resulting in a particularly vibrant, lifelike recording.
The M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model’s now legendary predecessors, the U 47 and the M 49.
The M 147 Tube can feed extremely long microphone cables without affecting the quality of the audio signal. Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish.
The microphone is delivered as a complete set in a high-quality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains sockets.
The M 149 Tube is a variable dual-diaphragm microphone. The K 49 capsule – well-known from the legendary U 47 and M 49 microphones – is followed by a tube functioning as an impedance converter. In contrast to earlier concepts – utilizing a transformer – the tube is complemented with a transformerless output circuit design. The M 149 Tube can thus feed long microphone cables without any coloration.
Two slide switches are located below the large, acoustically very open headgrille. The switch at the front allows selection one of nine directional patterns. The slide switch at the rear operates a seven-step high pass filter. It allows a very fine adjustment of the cut-off frequency.
The reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102* attracts attention.
The TLM 102 is impressive in terms of sound: In the interior is a newly developed large-diaphragm capsule (cardioid) with a maximum sound pressure level of 144 dB, which permits the recording of percussion, drums, amps and other very loud sound sources, for example. Instruments that are not especially loud also benefit from the very fast transient response of the TLM 102. However its most important applications are in the realm of vocals and speech; a slight boost above 6 kHz provides for excellent presence of the voice in the overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined bass range. The capsule has an elastic suspension for the suppression of structure-borne noise. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording.
Due to its price and flexible field of application, the TLM 102 is ideal for the home recording and project studio sector, as well as for the broadcasting area, especially when clear lines of sight to the speakers are a priority.
The TLM 102 is available in black and nickel; a stand mount is included.
The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.
By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear.
The TLM 103 is available in satin nickel and matte black.
Classic proportions combined with attractive styling and fresh ideas – the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up the widest freedom in mixing and post-production.
The TLM 193 is a large diaphragm microphone with a cardioid polar pattern. With this microphone Neumann continues its long tradition, and is offering high end technology at an affordable price for musicians and the home recording studio.
The microphone uses a transformerless circuit, featuring extremely low self noise and large dynamic range.
The polar response is very linear over a wide incidence angle. Thus, even signals coming from the side are reproduced faithfully and without coloration. The exposed surface of the microphone capsule is at ground potential, making it immune to typical interference and contamination. The microphone is supplied with a swivel mount.