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د.إ 399.00

AVAILABILITY: In stock

د.إ 399.00

Equipped with newly designed internal shock mounting for reduced handling and stage noise, this cardioid dynamic workhorse is designed for smooth, natural vocal reproduction. The microphone features super-durable construction for long-lasting performance, a rare-earth magnet for high output, and a multi-stage grille design for excellent protection against plosives. Its cardioid polar pattern reduces pickup of sounds from the sides and rear, maximizing isolation from other sound sources and minimizing feedback.

د.إ 219.00

AVAILABILITY: In stock

د.إ 219.00

This affordable cardioid dynamic microphone is designed for close-up vocal performance. The PRO 31QTR offers a broad frequency response and low handling noise in a tough, durable design that delivers consistent performance on the road. The mic sets price/performance standards for intelligibility, transparent sound quality and noise suppression. Available in two models for easy use with consumer and pro electronics: PRO 31 (XLRF-XLRM cable) and PRO 31QTR (XLRF- ¼” cable).

د.إ 2,753.10

AVAILABILITY: In stock

د.إ 2,753.10

The KMS 104/104 plus and the KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage.
The KMS series has become the internationally acknowledged standard for first-class stage microphones.

The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.

Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.

The KMS 104 and the KMS 104 plus have a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In contrast, with its supercardioid characteristic the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. The KMS 104 plus features, compared to KMS 104, a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.

د.إ 2,753.10

AVAILABILITY: In stock

د.إ 2,753.10

The KMS 105 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage.
The KMS series has become the internationally acknowledged standard for first-class stage microphones.

The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.

Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.

The KMS 104 and the KMS 104 plus have a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone. In contrast, with its supercardioid characteristic the KMS 105 is particularly good at suppressing sounds originating from the entire 180° hemisphere behind the microphone. The KMS 104 plus features, compared to KMS 104, a more extended bass frequency response. In close cooperation with professional musicians, with the aid of extensive practical tests, the KMS 104 plus has been especially optimized for the requirements of female voices in the rock and pop field.

د.إ 349.00

AVAILABILITY: In stock

د.إ 349.00

RODE’s M1 dynamic microphone is ruggedly built with a die-cast body and a sturdy dynamic capsule – designed to thrive through night after night of stage abuse. This handheld microphone also offers an excellent balance of weight and ergonomics, so it’s comfortable for vocalists to hold and perform with onstage. What’s more, the RODE M1 carries with an impressive lifetime warranty from RODE – a testament to the microphone’s solid build construction. When you want studio-quality sound onstage, look no further than the RODE M1 dynamic handheld microphone.

د.إ 439.00

AVAILABILITY: In stock

د.إ 439.00

The M1’s ergonomically designed all-metal body is engineered for maximum comfort when used as a handheld microphone. It feels robust, solid and perfectly balanced without being heavy, and handling noise is almost completely eliminated by the microphone’s internal design.

د.إ 609.00

AVAILABILITY: In stock

د.إ 609.00

Designed for handheld interview and presentation applications, the Reporter features an omnidirectional dynamic capsule that is designed to allow the user freedom of use, without the technique related issues typical of directional end-address microphones.

Additionally, its frequency response has been specially tailored for voice reproduction, to maximize intelligibility and deliver crisp, clear results in almost any condition.

The microphone features a durable die-cast aluminum alloy body coated in a discrete matte black anti-glare finish. An innovative multi-layer mesh basket protects the microphone from environmental noise without the need for a bulky and distracting foam windshield.

It is supplied with a removable microphone ‘flag’ that can accommodate high-visibility branding.

د.إ 1,209.00

AVAILABILITY: In stock

د.إ 1,209.00

The RØDE S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio-quality audio while on stage without compromising on mobility, versatility or durability.At the heart of the S1 is a super-cardioid 3/4″ true-condenser capsule tuned to virtually eliminate feedback in on-stage performance scenarios.The combination of sophisticated internal shock mounting and a built-in high pass filter dramatically reduces undesirable low frequency background noise and handling noise.Multiple layers of acoustically optimised steel mesh in the microphone head filter the performer’s breath as well as wind and plosive noises, without affecting the microphone sensitivity or frequency response.Due to its high performance specification and rich detail, the S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

د.إ 1,209.00

AVAILABILITY: In stock

د.إ 1,209.00

The RØDE S1 live condenser vocal microphone provides the ultimate in performance for artists and engineers that demand studio-quality audio while on stage without compromising on mobility, versatility or durability.At the heart of the S1 is a super-cardioid 3/4″ true-condenser capsule tuned to virtually eliminate feedback in on-stage performance scenarios.The combination of sophisticated internal shock mounting and a built-in high pass filter dramatically reduces undesirable low frequency background noise and handling noise.Multiple layers of acoustically optimised steel mesh in the microphone head filter the performer’s breath as well as wind and plosive noises, without affecting the microphone sensitivity or frequency response.Due to its high performance specification and rich detail, the S1 is also an ideal handheld studio vocal microphone for artists that prefer to hold the microphone during recording.

د.إ 6,294.75

AVAILABILITY: In stock

د.إ 6,294.75

A tube mic – but even better! sE Electronics puts its own spin on the classic tube mic with the Gemini II. We’ve all heard tube mics on some of the most famous vocal recordings of all time, but you’ve never heard a tube mic like this. The Gemini II puts a cool spin on the traditional tube mic, using both a 12AX7 at the input stage and a 12AU7 at the output stage. Two tubes, huh? You might think this would put too much tubiness in play, but in actuality it gives you the body and warmth of a tube mic coupled with the top-end response of the “best of the best” solid state condensers. How could you go wrong? Many things promise to give you the best of both worlds, and few really do.

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