The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new “Humanizer” effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass guitar.
Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth–even Slicer-type effects and sounds that seem to “swirl” around the listener. An instant classic.
A recreation of two classic chorus pedals, the CE-2W from BOSS is intended for use with electric guitars. It provides two modes of chorus and one mode of vibrato in a single stompbox enclosure. The pedal’s Standard mode faithfully reproduces the sound of the original mono CE-2. The dual CE-1 modes, on the other hand, provide the tone and timbre of a vintage CE-1—its stereo chorus and vibrato are both represented here. Furthermore, a couple of additions bring the pedal increased functionality over the original CE-1 and CE-2. Such additions include variable chorus depth control in CE-1 mode, as well as two output jacks for an expanded stereo sound in CE-2 mode, which enables you to route your signal to dual amplifiers, if stereo chorus is your preference. Purchase of this pedal includes a 9V battery.
To celebrate the 40th anniversary of BOSS compact pedals, BOSS and JHS Pedals have come together in a historic creative collaboration between the two industry leaders. Housed in the classic BOSS compact design, the JB-2 Angry Driver pairs the tones of the iconic BOSS BD-2 Blues Driver with JHS Pedals’ popular Angry Charlie. Working closely together, the two pedal innovators have developed an all-new combined circuit with refined sound and performance perfectly tuned for dual-mode drive operation.
The JB-2 Angry Driver features three dual-concentric knobs that provide independent drive, tone, and level control for each overdrive type. Via a six-position mode selector, you can use each overdrive independently, or combine them together in series and parallel configurations. With the ability to blend the Blues Driver’s famously expressive low-to-mid gain tones with the Angry Charlie’s aggressive rock voice in any combination, the JB-2 Angry Driver delivers unmatched range and versatility from a single overdrive pedal.
Powered by advanced BOSS technology, the ultra-versatile MD-500 delivers nearly any type of modulation effect a musician could want, and then some. Included are 28 different algorithms with intensive programming parameters, offering a nearly limitless sound palette to create with. And with class-defying 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate throughout, you’ll enjoy pristine sound quality that extends beyond the capabilities of the very best studio hardware.
Journey to new dimensions of time and space with the RV-500, the most powerful and versatile reverb processor BOSS has ever produced. This multifaceted creation machine features class-defying 32-bit AD/DA along with 32-bit/96 kHz floating point processing and immense programmability, putting pro-level studio reverb and more at your feet.
Twelve modes and 21 newly developed reverb algorithms deliver a huge range of textures, from complementary ambience to deep, immersive sonic atmospheres. And thanks to the RV-500’s high-octane DSP, you can access a full-featured digital delay along with every reverb patch, and even run two reverb patches at once! Adding in MIDI I/O, support for external footswitch/expression control, and USB for connection to the free RV-500 Editor/Librarian software, the RV-500 is simply the most advanced reverb pedal available, bar none.
Ahead of its time when it debuted in 1982, the VB-2 Vibrato has been rediscovered by modern players looking to create unique guitar textures with stompbox effects. Thanks to its expressive, one-of-a-kind sound, this rare pedal has gone on to become one of the most valuable BOSS effects in the vintage market. Now, the progressive spirit of the VB-2 has been reborn as the Waza Craft VB-2W. Using all-analog circuitry, the VB-2W authentically reproduces the true pitch-shifted vibrato of the original pedal, and also adds an innovative new vibrato mode and real-time control function for enhanced expression.
Featuring a finely-tuned quad-core processor and powered by exclusive Eleven® HD Expanded™ DSP software, the HeadRush Gigboard® delivers the most versatile, realistic-sounding and responsive amplifier, cabinet, microphone and FX models ever found in a compact, road-ready floorboard guitar FX processor. The 7-inch touch display enables you to touch, swipe and drag-and-drop to instantly create and edit your rigs in an unprecedentedly realistic and intuitive way.
Plus, it features gapless preset changes with reverb and delay tail spillover, a built-in looper with 20 minutes of record time, the ability to load custom impulse response files and exclusive original boutique effects that can’t be found anywhere else. Whether you’re looking for a classic warm vintage amp with natural tube drive, wide ambient stereo delay textures with infinite feedback or the heaviest of heavy djent tone, the HeadRush Gigboard covers it all and everything between.
The minds that brought you the incredibly powerful and popular Eleven Rack rack-based multi-effects and modeling processor have returned with the HeadRush Pedalboard. The unit’s custom-designed quad-core DSP means your tones will sound and feel like plugging directly into the original gear. And integrating the HeadRush into your existing rig, whether for recording or performing, is simple thanks to a wide variety of I/O. Finally, the HeadRush’s 7-inch touchscreen interface is setting a new standard for easy to use. With true-sounding tones, flexible signal routing, and one of the most intuitive workflows out there, the HeadRush Pedalboard is definitely worthy of your attention.
The IK Multimedia iRig Stomp I/O’s all-in-one design makes it useful in a variety of situations. You can use it as a USB pedalboard controller or an audio interface for your Mac, PC, or iOS device. It can also work as a standalone MIDI foot controller. The iRig Stomp I/O delivers 24-bit/96kHz audio, features a great-sounding mic preamp with phantom power, and comes with a host of practical I/O. An integrated device bay makes positioning your iPhone, iPad, or Microsoft Surface easy. The iRig Stomp I/O can be powered via USB or the included adapter and comes with an array of useful software and apps.