More Than Just an Interface
This is the creative center of your recording setup: simple-to-use, style-infused M-Track 2X2 C-Series audio interface is the perfect tool to record and produce natural-sounding 24-bit/192kHz studio-quality recordings. Combining one XLR+1/4″ balanced combo input and an all-new dedicated 1/4″ instrument input, the M-Track C-Series 2X2 enables you to record two channels simultaneously. The versatility of a combo input accommodates any source audio with a microphone or line-level output while a tailor-made gain and impedance stage on the conveniently located instrument input guarantees a clean, accurate guitar or bass DI signal.
Fusing an elegant pro-grade metal chassis, USB & USC-C connection cables, all-new transparent low-noise Crystal pre-amps and pristine A/D converters that deliver the highest audio performance in their class, the M-Track 2X2 provides all the tools you need to capture that initial idea and transform it into a finished masterpiece with ease. Take your music to the next level and start recording now!
Studio-grade recording demands the right tools for the job. M-Audio’s Nova Black large-diaphragm condenser microphone is perfect for podcasting applications or capturing high-quality audio from vocalists, instruments, percussion and more
At the heart of the Nova Black microphone is an 18mm pure aluminum condenser capsule with a directional cardioid polar pattern. This delivers wide range frequency response (20-20kHz), high sensitivity (-38dB, 0dB = 1V/Pa @ 1kHz)) and accurate transient response, resulting in a microphone that captures even the most subtle nuances with ease, with minimal interference from unwanted ambient noise.
With the Nova Black condenser microphone, complicated setups are a thing of the past. Thanks to an included windscreen, a purpose-designed shock-mount for mounting to a traditional mic stand and an XLR cable, everything you need to get connected and start recording is included.
Hear Every Detail
Professional recording demands uncompromised accuracy when it comes to monitoring. M-Audio’s HDH40 headphones combine premium transducer elements with a durable, rugged design to deliver superb sound reproduction and the outstanding acoustic isolation required in professional recording and monitoring environments. Long sessions are no problem! The plush padding reduces fatigue during extended use, and the over-the-ear design ensures that the HDH40 stays secured while you’re wearing them. With the HDH40, you can concentrate on what’s important – your production!
AudioBox iTwo Studio from Presonus is a complete mobile recording solution for Mac, Windows and iPad, and includes integrated software that allows for transferring songs wirelessly from the Capture Duo software for iPad to the Studio One software for additional editing and mixing. Perfect for mobile musicians, sound designers and podcasters, the USB 2.0 bus-powered AudioBox iTwo provides two channels of audio input and output.
The AudioBox 96 from Presonus is a two-channel USB computer audio interface. Designed to be portable, the unit utilizes 24-bit converters that sample at 44.1, 48, 88.1, or 96 kHz. Two high-quality PreSonus microphone preamps with switchable 48V phantom power are also provided, as are combination jacks for 1/4″ or XLR inputs, MIDI I/O, and solid drivers. Whilst recording, you can achieve zero-latency monitoring with a knob that allows you to blend signal from the preamp with signal in your DAW, giving you a tailored balance of both sources.
Central Station PLUS is one of Presonus’s most popular products for professional studios because it provides the perfect combination of stereo inputs, outputs, and recording-communication functions, allowing you to easily manage multiple sources and monitor speakers.
With Central Station, you can easily switch between three sets of stereo, analog input sources. Two stereo S/PDIF digital sources connect via one coax and one Toslink optical port. You can audition these sources with up to three pairs of speakers, with individual trim pots for each speaker—recessed to avoid accidents.
You also get a pair of line-level main outputs, a pair of line-level cue outputs, and two screaming-loud headphone amplifiers with individual level controls. And because Central Station is a 1U rack-mount device, with only one multi-conductor cable running to the remote control on your desktop, all of the cabling is in the back of your rack, where it belongs.
The FaderPort from Presonus is a hardware controller featuring a single, touch-sensitive motorized fader and a comprehensive transport control section. The unit provides a real-time input option for DAWs, enhancing efficiency and providing a tactile method for inputting volume and pan automation.
The high-quality, touch sensitive, motorized long throw fader has just the right feel needed for recording perfect fades and writing automation. Pan, mute, solo and record enable can also be easily controlled along with window selection, play, stop, record and managing locate points.
The PreSonus Faderport 16 is a 16-channel mix production controller featuring 16 long-throw 100mm touch-sensitive, motorized faders and 16 digital scribble-strip displays. Navigation, automation, and channel controls make mixing and getting around your favorite DAW fast and easy with compatibility for virtually any DAW host for Mac OS X or Windows. The controller supports HUI and Mackie Control emulations plus native control of Studio One.
The Faderport 8 from PreSonus is an eight-channel mix production controller, featuring eight 100mm touch-sensitive, motorized faders and eight digital scribble-strip displays. The Session Navigator makes mixing and controlling your favorite DAW fast and easy with compatibility for virtually any DAW host for Mac OS X or Windows. Additionally, the controller supports HUI and Mackie Control emulations, as well as native control of Studio One including Control Link and parameter follow. The Faderport 8 ships with a USB cable and an external power supply.
The HP2 from Presonus is a battery-powered personal headphone amplifier with volume and pan control for driving wired in-ear monitors as well as headphones. It can be used by musicians and performers in applications such as live stage, theater, rehearsals, and more.
The HP2 features two XLR line-level inputs and one stereo 1/8″ headphone output and can be switched from stereo to mono operation. It is built tough to take the rigors of life on the road and will mount on a microphone stand or clip to your belt.
The HP4 from PreSonus answers the need for a headphone distribution amplifier with professional specifications in a small package at an affordable price. It is designed with four discrete headphone outputs on the front panel, each with its own volume potentiometer and 150mW of amplification per channel.
The HP4 also features adjustment capability for control-room monitors with a separate volume control, monitor mute switch and mono switch, thus giving you an extremely powerful monitoring solution at an amazingly low price.
The HP60 from PreSonus is a versatile six-channel headphone mixing system ideal for live or studio applications. This rack mountable unit contains six independent headphone amplifiers for strong, clear audio. Two stereo inputs and an external input allow you to mix the output between three audio streams. Each channel has stereo line output, allowing you to send mixes to additional amplifiers or monitor systems, in addition to headphones.