The EP4000 builds on the incredible legacy of our EP2500, which is one of the best-selling power amps in the industry. Our proprietary Accelerated Transient Response (ATR) Technology gives the EP4000 the massive power reserves needed for deep and impactful bass response, which translates into a more natural sound quality that will bring your audience to its feet – and keep them there! With an amazing 4,000-Watts of output power (2 x 2,000 Watts @ 2 Ohms; 2 x 1,400 Watts @ 4 Ohms; 4,000 Watts @ 4 Ohms in Bridge mode), the EP4000 is the perfect amplifier for medium-sized club gigs, mobile PA systems, church services or public spaces.
The EP2000 has become one of the best-selling power amps in the industry. Our proprietary Accelerated Transient Response (ATR) Technology gives the EP2000 the massive power reserves needed for deep and impactful bass response, which translates into a more natural sound quality that will bring your audience to its feet – and keep them there! With an amazing 2,000-Watts of output power (2 x 1,000 Watts @ 2 Ohms; 2 x 750 Watts @ 4 Ohms; 2,000 Watts @ 4 Ohms in Bridge mode), the EP2000 is the perfect amplifier for medium-sized club gigs, mobile PA systems, church services or public spaces.
A dual-personality preamp with an amazing variety of tones.
Compact, affordable, and capable of a stunningly wide range of tones, the BlueTube DP V2 dual-path mic/instrument preamplifier offers two independent channels, each with an XMAX Class A solid-state preamp, followed in the signal path by a 12AX7 vacuum-tube stage. A Tube Drive control provides a wide range of sounds: When clicked off, you’re using the solid-state preamp for quiet, transparent amplification; when engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion. Equipped with instrument and mic inputs and built tough for serious gigging, the BlueTube DP V2 is a great choice for guitarists, bassists, singer/songwriters, and more.
For more than a decade, DigiMax-series preamp/converters have been relied on in countless recording studios worldwide. The DigiMax DP88 is the latest innovation in the DigiMax line, offering digitally controlled, analog preamps and unmatched digital conversion up to 96 kHz. Like its predecessors, the DigiMax DP88 provides the connectivity, flexibility, and professional sound quality to make it a perfect fit in any studio environment.
We named this channel strip the Studio Channel, and indeed it’s a wonderful studio tool. But it’s great for live performance, too. Featuring tube preamplification, a VCA-based compressor, and three-band EQ, it delivers a huge variety of timbres. Produce luscious, in-your-face vocals, dynamic acoustic piano, and fat, solid bass guitar, not to mention crystal-clear acoustic guitars and cracking snare. Yes, we got the name wrong; we should have called it the Anywhere Channel. But we got the design right.
A versatile preamp with impressive dynamic range and detail.
Compact and affordable, the ever-popular TubePre V2 professional tube preamplifier employs our popular XMAX Class A solid-state preamp, followed in the signal path by a 12AX7 vacuum-tube stage. A dual-servo (no capacitors) gain stage lets you boost the signal to smoking hot levels without significantly increasing noise. Discrete components and high-voltage operation offer dynamic range and detail not found in other single-channel tube preamps in its class. Built tough enough for serious gigging, the TubePre V2 is a great choice for guitars and microphones alike.
Upon its release in 1967, the 1176 Limiting Amplifier became an instant classic because of its unique lightning-fast attack and release times, musical Class A output stage, and its wide range of sounds, ranging from subtle, near-transparent compression, to all-out drive and distortion.Universal Audio’s 1176LN Classic Limiting Amplifier is a handbuilt, faithful reproduction of Bill Putnam Sr.’s original visionary design — an iconic piece of audio history that had a hand behind classic recordings from Led Zeppelin, The Rolling Stones, Michael Jackson, and more.
Designed by Bill Putnam Sr., the UA 610 modular console is arguably the “Holy Grail” of vintage tube desks. Leaving its imprint on countless classic recordings from Ray Charles and Frank Sinatra, to iconic titles like Van Halen and the Beach Boys’ Pet Sounds, the 610’s tube-powered mic preamp and EQ gave anything run through it startling three-dimensional warmth, presence, and body.The 2-610 Dual Channel Tube Preamplifier gives you two channels of this legendary piece of music history. Whether you’re running pure analog or enhancing a digital audio workstation, the 2-610 brings classic tube character to any recording project.
By merging the best of UA’s classic analog design with smart modern features and workflow enhancements, the 4-710d is the most flexible microphone preamp in the UA lineup.
Featuring four high-end mic/line preamps with a unique tube/solid-state tone blending circuit, as well as classic 1176-style compression on each mic channel, the 4-710d also offers tons of digital I/O to expand your setup.
The 6176 Vintage Channel Strip combines the alluring, all-tube sounds of the legendary Bill Putnam-designed 610 microphone preamp, with the signature FET compression of our 1176LN, to create the ultimate recording channel strip.The warm, smooth tones of this mic preamp design — employed to record everyone from Frank Sinatra to Van Halen — and the unique characteristics of the compressor, are two major reasons why the 6176 is found in studios around the world.