PLUG&PLAY no drivers needed for 2 interview microphone to record great podcast. For iPhone 7, 8, X use 3.5mm-lightning adapter from iPhone box
In the Box:
Lapel Microphone x 2
Rotating Clip x 2
Wind muff x 4
Y-Connector x 1
Extra cable 6.5ft x 2
4 to 3PIN Adapter x 1
Deluxe pouch x 1
Cleaner Cloth x 1
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The comprehensive Audio-Technica MB/Dk7 Drum Pack includes a core selection of five microphones specifically engineered for drum applications, along with two MB 4k cardioid condenser microphones ideal for drum overhead miking. Also included in the package are four drum-rim microphone mounts and a durable carrying case.
With its lightweight yet feature-rich design, the AT8024 Stereo/Mono Camera-Mount Microphone offers a simple, powerful solution for capturing high-resolution audio for video. Selectable line-cardioid mono and internally matrixed mid-side stereo modes provide the flexibility to focus the recording on a single sound source or to widen the field for outstanding sonic realism. In either mode, the AT8024 delivers audio that is dramatically better than that supplied by the camera’s internal microphone.
The ATGM2 boom microphone lets you convert your favorite pair of headphones into a full-fledged headset for gaming, streaming and VoIP use. The boom’s small base mounts permanently to the headphone housing, allowing you to install and remove the boom mic as you like. The pivoting metal boom arm and flexible gooseneck adjust easily for optimal positioning, while the highly directional hypercardioid microphone element works to reject ambient noise so your voice comes through loud and clear. You can also use the included windscreen to reduce breath noise.
The RØDE NTG2 is a lightweight condenser shotgun microphone, designed for professional applications within the film, video, television, and production industries.Its full frequency response, low noise and audio transparency make it an ideal film, video, and voice over microphone, while its low weight (161gm/5.7oz without battery) makes it an ideal boom microphone.In addition to the native 20Hz-20kHz frequency response, a selectable high-pass filter at 80Hz is available, which will prevent low-end noise such as air conditioners and traffic from being recorded.The NTG2 operates either from an AA (1.5V) battery or P48 phantom power which can be supplied by professional cameras, audio recorders, and power supplies. The battery power option makes the NTG2 ideal for scenarios where the camera does not supply phantom power such as DSLR video.The WSVM windshield is supplied to minimize light wind noise and plosives during recording. The optional ‘DeadCat’ furry is recommended for outdoor applications.
Shure’s SM27 brings the rugged reliability of the SM series to the world of large-diaphragm condensers. This side-address cardioid condenser is delicate enough to effectively capture vocals, but rugged enough to easily handle more raucous sources, such as bass and guitar cabinets. Tailor the SM27’s frequency response to the sound source with the built-in 15dB pad and 3-position low-frequency filter. The large Mylar diaphragm reacts quickly to transients and three separate mesh layers reduce wind and breath noise, making the SM27 a great fit onstage or in the studio.
A revised take on a time-tested shotgun mic from Rode, the NTG4 offers you premium broadcast-ready sound and the versatility you need to use it on and off camera. One of the things about this highly directional condenser microphone that really stood out to the engineers here at Sweetwater is how quiet it is. Part of that has to do with the persistent-state digital switching used to toggle the NTG4’s onboard highpass filter, -10dB pad, and high-frequency boost. And with its rugged metal design, your Rode NT4 will be ready to go anywhere you need to go.
Based on RØDE’s award winning NTG3 shotgun microphone, the NTG8 is a broadcast quality RF-bias shotgun microphone that exhibits increased directionality across a wide frequency response range. This makes the NTG8 the perfect microphone for film, television, sports and outdoor broadcasting, live performance, and any professional distance miking application. Like the NTG3, the NTG8 features low self-noise, natural sound without coloration both on and off-axis, and RF bias technology to ensure that it is almost completely resistant to high humidity environments which could cause other condenser microphones to fail. The NTG8 is finished in matte black and supplied with a specially designed shock mount (SM8) that is engineered to provide excellent handling noise isolation, cable management and versatile mounting options for the microphone. A rugged weatherproof aluminum cylinder is also included, providing ultimate protection for the microphone when in transport or storage. The WSNTG8 windshield completes the package, providing light environmental protection.
The PRO 24-CMF camcorder microphone is a lightweight, compact stereo condenser ideal for digital recording with high-fidelity stereo sound. Equipped with an windjammer, accessory shoe and permanently attached coiled cable, the microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. The microphone is designed for either battery operation or battery-free operation when used with camcorders that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO 24-CMF is rugged; it’s built to endure the rigors of field production.
The MB/Dk5 Drum Pack includes a core selection of five microphones specifically engineered for drum applications. The four included MB 5k snare/tom microphones and one MB 6k kick microphone feature low-profile design for minimum visibility and versatile placement options around the drum kit. Also included in the package are four AT8665 drum-rim microphone mounts and a durable carrying case.
Tailored for snare, rack toms and other highly dynamic instruments, the MB 5k snare/tom microphone offers a moving coil dynamic design with cardioid polar pattern, delivering superior off-axis rejection for maximum gain before feedback. With a frequency response of 100-12,000 Hz, the mic is engineered to handle fast transients and high SPLs.
The cardioid dynamic MB 6k kick microphone has a frequency response of 60-12,000 Hz. A natural at handling high SPLs, the MB 6k delivers superior results on bass drum as well as on floor and deep rack toms.