The ultra-compact XENYX Q802USB mixer’s 8 Inputs (2 mic, 2 stereo) allow you to effortlessly achieve premium-quality sound, thanks to 2 onboard studio-grade XENYX Mic Preamp and ultra-musical “British” channel EQ. And our easy-to-use “one-knob” compressors provide total dynamic control for the ultimate in punch and clarity, while respecting all the power and emotion you pack into every note. Add to this, the sweet forgiveness of our British-style EQ and superb ease of use – and the Q802USB becomes an incredibly versatile mixer for your live performances. But the XENYX Q802USB isn’t just designed to handle your live gigs; it also provides the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with its built-in USB/audio interface, the Q802USB mixer comes with all the recording and editing software needed to turn your computer system into your own personal high-performance home recording studio.
Premium ultra-low noise, high headroom analog mixer
2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps
Studio-grade compressors with super-easy “one-knob” functionality and control LED for professional vocal and instrumental sound
Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com
Neo-classic “British” 3-band EQs for warm and musical sound
1 post fader FX send per channel for external FX devices
1 stereo aux return for FX applications or as separate stereo input
Main mix outputs plus separate control room, phones and 2-Track outputs
2-Track inputs assignable to main mix or control room/phones outputs
3-Year Warranty Program*
Designed and engineered in Germany
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If you’re looking for a one-stop-shop for home recording, the Behringer U-Phoria UMC202HD USB 2.0 audio interface is worth checking out. Perfect for singer-songwriters, the U-Phoria UMC202HD gives you two astonishingly pure, world-class MIDAS-designed mic preamps, as well as the connectivity you need for your guitars, keyboards, and other devices – all in studio-grade 24-bit/192kHz resolution. Make no mistake, the Behringer U-Phoria UMC202HD USB 2.0 audio interface is a value-packed studio-in-a-box! At Sweetwater, we’ve used just about every interface under the sun, so give us a call. We’ll be glad to help you out!
The Studio 68 from Presonus is a 6×6 USB 2.0 audio and MIDI interface featuring two front-panel combo mic-and-line/instrument inputs and two rear-panel mic/line combo inputs, each with XMAX-L solid-state mic preamps. In addition to the main outputs, there is another set of stereo line outputs for mixing or speaker monitor-switching. A stereo headphone output features a Cue Mix A/B, which toggles between two mixes, well suited for live-performance DJs or for listening to a performer’s monitor mix. Additionally, the Studio 68 features a 9-pin D-sub connector which connects to a breakout cable and features MIDI I/O connectors and S/PDIF digital I/O—it is a complete recording solution and ships with Presonus’ Studio One Artist software.
The Onyx Series Producer 2·2 is an interface designed to let you record audio to your computer and monitor that audio as well. With its dual Onyx microphone preamps, combination XLR-1/4″ inputs, and 5-pin DIN MIDI I/O, the unit is particularly suitable for singer-songwriters and producers who make use of MIDI instruments and MIDI hardware. In your own project studio, you’ll be able to connect to your monitors by means of the 1/4″ jacks located on the rear of the unit.
The interface is relatively lightweight at 1.35 lb and provides a 1/4″ headphone output, so you can take it with you wherever you go. Mackie’s all-metal chassis hardware design aids in this endeavor, giving you a robust, roadworthy chassis for the circuitry inside. Should you monitor through headphones, a direct monitor knob is provided, which mitigates any latency as you record your audio. At minimum value, the knob ensures that you hear your direct input from the preamps. At maximum, you’ll hear the signal as it’s routed through the DAW. Use the knob to blend between the two extremes if you wish. The unit is designed to connect to your Mac or Windows computer over USB, and is bus-powered by the host computer.
The black Autofuse from Arturia is a 14 x 14 audio interface created for the discerning professional who requires the sound of a high-end analog console with the flexibility of a solid mobile interface. The Autofuse was designed from the ground up utilizing DiscretePRO microphone preamps, which rely on a discrete component topology to achieve studio-quality performance. A temperature-compensated oscillator controls the reference clock to ensure jitter free analog-to-digital conversion and provide remarkable transparency at sampling rates up to 192 kHz. There are no menus to dive through as every function is a single layer with dedicated knob and button controls.
With the AIR 192|6, you can create 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|6 enables you to record up to 2 channels at once with its 2 dedicated XLR+¼” balanced combo inputs, and 2 all-new ¼” instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. 5-pin MIDI In and Out connections are included for connecting synths, sequencers and other external MIDI gear.
The Onyx Series Artist 1·2 is an interface designed to let you record audio to your computer, and to monitor that audio as well. With its Onyx microphone preamp, single XLR input, and 1/4″ input switchable between line-level signal and Hi-Z instrument impedance, the unit is suitable for singer-songwriters, podcasters, content creators, and others who want a mobile setup for recording their own projects. In your own project studio, you’ll be able to connect to your monitors by means of the 1/4″ jacks located on the rear of the unit.
The interface is relatively lightweight at 1.1 lb and provides a 1/4″ headphone output, so you can take it with you wherever you go. Mackie’s rugged steel chassis hardware design aids in this endeavor, giving you a robust, roadworthy chassis for the circuitry inside. Should you monitor through headphones, a direct monitor switch is provided, which mitigates any latency as you record your audio. The unit is designed to connect to your Mac or Windows computer over USB, and is bus-powered by the host computer.
Built with MOTU’s award-winning MIDI interface technology, the micro express is a compact, bus-powered MIDI interface and time code synchronizer that provides expandable, plug-and-play connectivity to any USB-equipped Mac or Windows computer.
The Autofuse from Arturia is a 14 x 14 audio interface created for the discerning professional who requires the sound of a high-end analog console with the flexibility of a solid mobile interface. The Autofuse was designed from the ground up utilizing DiscretePRO microphone preamps, which rely on a discrete component topology to achieve studio-quality performance. A temperature-compensated oscillator controls the reference clock to ensure jitter free analog-to-digital conversion and provide remarkable transparency at sampling rates up to 192 kHz. There are no menus to dive through as every function is a single layer with dedicated knob and button controls.
Apogee has squeezed every ounce of their digital audio expertise into the newly-rebuilt Ensemble Thunderbolt, setting yet another standard for sound quality, performance, and functionality. By utilizing blazing-fast, cutting-edge Thunderbolt 2 technology, the Ensemble Thunderbolt gives you ultra-low latency and unmatched CPU efficiency, allowing you to monitor more effectively, record more tracks, and process more plug-ins. Of course, the Ensemble Thunderbolt’s eight digitally-controlled mic preamps and premium AD/DA converters give you the phenomenal sound quality you’d expect from Apogee.
The next generation of Pro Tools | HD is here! HD OMNI is your all-in-one Pro Tools | HD audio interface solution. Rocking a pair of mic pres paired with additional analog and digital I/O, the HD OMNI gives you 4 x 8 analog I/O along with 8 x 8 digital I/O for effortless connectivity with Pro Tools | HD, along with two extra channels of “Cue” output. Avid also includes the “Curv” analog soft-knee limiter, which allows for hotter tracking and provides a safety net against potential clipping due to unexpected transients. The HD OMNI’s integrated monitoring section and 14 x 26-channel mixer lets you monitor in up to 7.1.
Apogee’s Quartet professional USB audio interface gives you the ultimate desktop recording experience on your computer or iOS device. Quartet juices your workflow with four inputs and eight outputs of legendary Apogee AD/DA conversion and four world-class mic pres. You also get up to eight digital inputs via Lightpipe. Two full-color screens keep you abreast of critical routing details, Quartet’s QuickTouch pads make for easy I/O selection, and you run the entire show from a single controller knob.
The AudioBox 1818VSL is a professional product, so we gave it the advanced features pros need. A BNC word-clock output enables the 1818VSL to sync precisely with other digital audio devices. With eight analog aux outputs and two main outs, you can feed and switch between several sets of monitor speakers and outboard gear.
MIDI I/O lets you can connect the AudioBox 1818VSL to virtually any standard MIDI instrument or control surface. ADAT and S/PDIF I/O make it expandable when you need it. A screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy environments.
Pros know that PreSonus gear is reliable and built to last, and the AudioBox 1818VSL is no exception. We used premium parts throughout, along with a heavy-duty steel chassis with real metal knobs. And we managed to fit its full complement of controls, preamps, and I/O into a single rackspace, so whether your studio is at home or on tour, the AudioBox 1818VSL is there where you need it.