The compact QX1202USB mixer allows you to effortlessly achieve premium-quality sound, thanks to its 4 onboard studio-grade XENYX Mic Preamps and ultra-musical “British” channel EQs. And our easy-to-use “one-knob” compressors provide total dynamic control for the ultimate in punch and clarity, while respecting all the power and emotion you pack into every note. Add to this, the sweet forgiveness of our British-style EQs and a KLARK TEKNIK 24-bit, dual engine FX processor with 100 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects – and the QX1202USB becomes an incredibly versatile mixer for your live performances.
But the XENYX QX1202USB isn’t just designed to handle your live gigs; they also provide the state-of-the-art tools you need to make stunning, professional-quality recordings. Along with their built-in USB/audio interfaces, the QX1202USB comes with all the recording and editing software needed to turn your computer system into a complete, high-performance home recording studio.
Premium ultra-low noise, high headroom analog mixer
4 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps
Studio-grade compressors with super-easy “one-knob” functionality and control LED for professional vocal and instrumental sound
Ultra-high quality Klark Teknik FX processor with 100 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
Built-in stereo USB/Audio Interface to connect directly to your computer. Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins downloadable at behringer.com
Neo-classic “British” 3-band EQs for warm and musical sound
FX send control per channel for internal FX processor and/or as external send
Main mix outputs plus separate control room, phones and 2-Track outputs
2-Track inputs assignable to main mix or control room/phones outputs
3-Year Warranty Program*
Designed and engineered in Germany
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The M-Audio AIR 192|14 is an 8-in 4-out feature-packed USB audio/MIDI interface that provides all of the connections and software you need to easily create professional 24-bit/192kHz studio-quality recordings. The AIR 192|14 features (4) XLR+¼” TRS combo inputs, (2) ¼” line inputs and (2) ¼” instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of your guitar or bass when plugged directly into the interface. There is also MIDI input and output connections so you can connect any external midi gear that you may have such as external sequencers, drum machines and controllers.
With the AIR 192|6, you can create 24-bit/192kHz studio-quality recordings with an intuitive and easy-to-use audio interface. The AIR 192|6 enables you to record up to 2 channels at once with its 2 dedicated XLR+¼” balanced combo inputs, and 2 all-new ¼” instrument inputs that have a specially designed gain and impedance stage to provide the most accurate representation of a guitar or bass plugged directly into the interface. 5-pin MIDI In and Out connections are included for connecting synths, sequencers and other external MIDI gear.
The next generation of Pro Tools | HD is here! HD OMNI is your all-in-one Pro Tools | HD audio interface solution. Rocking a pair of mic pres paired with additional analog and digital I/O, the HD OMNI gives you 4 x 8 analog I/O along with 8 x 8 digital I/O for effortless connectivity with Pro Tools | HD, along with two extra channels of “Cue” output. Avid also includes the “Curv” analog soft-knee limiter, which allows for hotter tracking and provides a safety net against potential clipping due to unexpected transients. The HD OMNI’s integrated monitoring section and 14 x 26-channel mixer lets you monitor in up to 7.1.
The AudioBox 1818VSL is a professional product, so we gave it the advanced features pros need. A BNC word-clock output enables the 1818VSL to sync precisely with other digital audio devices. With eight analog aux outputs and two main outs, you can feed and switch between several sets of monitor speakers and outboard gear.
MIDI I/O lets you can connect the AudioBox 1818VSL to virtually any standard MIDI instrument or control surface. ADAT and S/PDIF I/O make it expandable when you need it. A screaming-loud headphone output ensures you can hear your music loud and clear, even in noisy environments.
Pros know that PreSonus gear is reliable and built to last, and the AudioBox 1818VSL is no exception. We used premium parts throughout, along with a heavy-duty steel chassis with real metal knobs. And we managed to fit its full complement of controls, preamps, and I/O into a single rackspace, so whether your studio is at home or on tour, the AudioBox 1818VSL is there where you need it.
The black Autofuse from Arturia is a 14 x 14 audio interface created for the discerning professional who requires the sound of a high-end analog console with the flexibility of a solid mobile interface. The Autofuse was designed from the ground up utilizing DiscretePRO microphone preamps, which rely on a discrete component topology to achieve studio-quality performance. A temperature-compensated oscillator controls the reference clock to ensure jitter free analog-to-digital conversion and provide remarkable transparency at sampling rates up to 192 kHz. There are no menus to dive through as every function is a single layer with dedicated knob and button controls.
Ideal for solo musicians, Native Instruments’ Komplete Audio 1 USB audio interface offers two inputs: an XLR for plugging in mics and a DI for guitar, bass, or other instruments. Komplete Audio 1 also ideal for podcasters, vloggers, and other content creators who need to capture speech. As well delivering high-quality audio, Komplete Audio 1 also includes all the software you need to bring your ideas to life, including Maschine Essentials, Ableton Live Lite, Monark, and stellar Native Instruments effects for polishing your recordings.
Equipped with the same ESS Sabre32 Ultra™ DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity
The Grey Autofuse from Arturia is a 14 x 14 audio interface created for the discerning professional who requires the sound of a high-end analog console with the flexibility of a solid mobile interface. The Autofuse was designed from the ground up utilizing DiscretePRO microphone preamps, which rely on a discrete component topology to achieve studio-quality performance. A temperature-compensated oscillator controls the reference clock to ensure jitter free analog-to-digital conversion and provide remarkable transparency at sampling rates up to 192 kHz. There are no menus to dive through as every function is a single layer with dedicated knob and button controls.
The Quantum 2 from PreSonus is a low-latency audio interface that provides up to 22 inputs and 24 outputs of combined analog and digital connections. The unit’s converters allow for low-latency recording as well as dynamic ranges of 120 dB on both AD (analog to digital) and DA (digital to analog) conversions. Furthermore, the Quantum 2 captures audio at 24-bit resolution, achieving sample rates up to 192 kHz.